Dusting Off Those Shelved Writing Projects

Pixabay.com

Last month we talked about finishing projects we had started or have half finished but never completed. I hope you were able to work on or complete some of those projects. As usual, I didn’t get as much done as I had wished, but finishing projects is still on my agenda.

Also last month in the June article, I promised this:

“If it’s a story of your heart that you love and want to finish, but it really needs a lot of work, leave it in the closet. We’ll talk about that project next month.”

So here we are in July, the middle month of summer. Do you have writing time?

Take Out that Story You Love, Dust It Off, and Finish Writing It!

Do you have a project of your heart that’s been put on the shelf? Do you remember why you shelved it? (Tweet that!) There can be a lot of reasons. Let’s talk about why writing projects get shelved. Then let’s consider taking them down, dusting them off, and finishing the stories of our hearts that we love (no matter what others say!).

It could be you didn’t have time.

Maybe distractions — whether from life or other writing projects — drew you away until dust collected on the project and, eventually, it got put on the shelf just for a little while, just until you got your desk cleared. And, um, that was years ago and your desk never cleared.

Possibly it was simply “life” that got in the way. The business of taking care of family and jobs and responsibilities… Am I ringing any bells here?

Or, maybe it’s on the shelf for another reason. Maybe you got discouraged with the project. That happened to me.

The Story of My Shelved Writing Project

Once upon a time I had a story I really loved. It was a supernatural thriller. I worked on it. I plotted it out. I developed the characters. I really loved that story.

And then the long days came when I wrote out that story as a novel. I worked hard, starting early in the morning and working late into the night. I wrote the entire novel. And I loved it.

I dreamed of sequels. I didn’t have all the plots worked out for the next two books, but I had characters who could fill them and a basic idea.

Then things started to happen. Three things, to be exact.

1. I talked with an agent who loved the idea of my story. He was a well-known agent who had “discovered” another author, one who had been rejected by everyone else. This agent helped him and that rejected writer not only found a publisher but became a best-seller, sold millions of books, and became very famous. This was the agent who was interested in my story! He asked me to send him my book proposal and sample chapters. I couldn’t wait to send it and I did.

2. Meanwhile, a friend and critiquer asked if she could read my story. I let her, eager to hear what she thought of it. When she started sending critiques, it became clear she didn’t like my main character. The farther into the story she got, the less she liked that character. This was not good.

I remember she did not like my character because this character was not great with all the new electronics coming out in the late nineties. If she can’t keep up with the times, the critiquer said, she’s not smart.

Well… But… Wait… The character’s inability to access a password-protected web site is critical to the story.

I think the intervening years have proved that not all people can keep up with today’s electronics, don’t you? Even smart people.

Her critiques became harsh and I was devastated. Eventually I quit reading her critiques. Partly because of her words, partly because  I so strongly disagreed with them. But it was just one person’s opinion, right?

3. Then I received an invitation to join a small group of writers who would meet with a professional editor and former publisher for several days. Part of the program was that we would all critique each other’s first pages. That meant each of us would receive critiques from the professional plus the other six or so writers. We would go over our critiques in class. I accepted that invitation.

I prepared by sending my pages and reading the others’ pages, gave them my best critiques, and looked forward to hearing what they had to say about mine.

The time came for the clinic. I was the last of the writers to be critiqued. I had given the others as much encouragement as I could along with feedback I felt would help them. I had contributed to the conversation. When it came my turn, I was so nervous!

But then the unexpected: Total silence.

No one said anything. What did that mean?

Finally the professional said he didn’t think the reaction of my main character to the supernatural event that occurred was realistic. Well, um, it was supernatural. That itself might not be very realistic, don’t you think? I still think my scientific-minded character would be freaked out by this personal, supernatural event.

And that scene sets the stage for the whole book. Without that scene and that reaction, the story doesn’t work. It can’t.

I thought we weren’t supposed to argue but were to just listen to the critiques, so I stayed quiet and tried to take this critique to heart. Besides, I was too nervous to think and didn’t have a clue what to say. I was shocked by his words.

Did I not write the scene well? (To this day I think I did.) Did they not understand what I was trying to accomplish? (I thought it was clear.)

Then the other writers in the room chimed in, agreeing with the professional, basically saying, Yeah...what he said.


Oh, and about that agent? Never heard from him again. I followed up several times but got no reply. (I found out a few years later he did that to everyone, not just me. Even his clients. He just dropped out of agenting, I guess.)

These three whammies came close together, hitting me like staccato beats. Discouragement set in. (Tweet that!)

I put my project in a box and literally put it on a shelf in my closet. It’s still there to this day. More than eighteen years later.

Do you have a story like this of your own? Did discouragement get to you? Do you have a writing project you love that was put on a shelf and is gathering dust? (Tweet that!)

I told you my story to encourage you. It's not just you. (Tweet that!) These things happen. So what do we do now?

The Bright Side

Well here’s a few more things about that project.

• I still love the story. It has never left me. I think of it often. I can’t get it out of my head. I know I must write this story. It’s just a matter of when. (Tweet that!)

• In the past eighteen plus years I’ve learned a lot about writing and stories and more. I’m a better writer now, so I can do a better job with it now.  (Tweet that!)

• I’ve started screenwriting, too, which has taught me a lot about story structure. I build better stories now. And, when I look at that story I structured it well, even before I knew much about story structure. That amazes me. 

• I know more about characters now. For example, even though I couldn’t articulate it at the time back in that group, I now know the main character has to react like that because she needs a character arc. I can’t start her off at the end of her journey, the end of her character arc. Now I understand that’s what that professional and those classmates wanted. They wanted her to already know what they know, to believe what they believe. That's because they don't know the story! I do. I couldn’t answer their protests back then, about why is this scientist at odds with Christianity? It doesn’t have to be that way, they said. Now I know the answer is because that’s her character arc. To start her out as they wanted gives her nowhere to grow! It destroys her character arc and so it destroys the story. I wrote about this in my blog post back on December 1, 2015: Writing Stories: What Your Story Needs - Part 2

• I’ve developed more skills. Since I have now studied writing feature films and writing for TV, I can now write this story not only as a novel but as a movie (with series potential) or a TV, cable, or web series.

• I’ve recently re-read that opening chapter and you know what? It’s not only not bad, I still think it’s quite good. Maybe not perfect, but even after it has rested this long and my writing has grown for this long I believe it doesn't stink. Re-reading it gave me encouragement and confidence. It’s a good story. I know it, regardless of what others think. 

• It’s a new time. Things are different now in America and in the world. I truly think this story was ahead of it’s time. I thought it was relevant back then. But oh boy it is even more relevant now. (Tweet that!)

It's Time to Tell Your Story 

Maybe it’s time to take your story down off the shelf, dust it off, and finish it. (Tweet that!)

If you’re still in love with your story, I encourage you to do it. Trust yourself. Trust your writing. Trust the story you’ve been given. Don’t listen to everyone else. This is YOUR story. Trust your instincts.  (Tweet that!)

That’s what I’m going to do.

That’s my story. And I’m sticking to it.

RELATED:

• December 1, 2015: Writing Stories: What Your Story Needs - Part 2
• Visit my newly revamped web site here: www.DianneEButts.com
• Find a helpful e-book for writers here: Dianne on Amazon

Lessons in Beginnings for Writers

A swirl of books. How do you get into a story?
(VisualHunt.com)

As a writer, have you ever heard the term "throat clearing"? Over the years I've heard this term used when I met with editors at writers conferences and also in workshops. For me, this usually applied to a short piece I was showing them, like an article or devotional, but the principle applies to longer pieces like books and chapters also. The editors were telling me that I didn't really get to the heart of my piece of writing for several sentences or even paragraphs. (Tweet that!) In longer pieces, you may find your real beginning pages later.

I was reminded of this term recently by an article in the Christian Communicator:

…great beginnings often don't appear in the first draft. Or, if they do, they often aren't at the beginning. That's why the editing process is so important.

Many times you will discover that the first couple pages of your writing are no more than "throat clearing," and you get to your point somewhere around page 3. In a short piece, like a devotional or article, those first lines you type may not be the best beginning and will probably need to be deleted and replaced with a sentence currently in your fourth paragraph. 

("Your First Impression" by Linda Taylor, March-April 2017 issue of Christian Communicator, page 15.)

From my own experience, I find this principle very true for my non-fiction writing. And as I pursue writing fiction I find the same holds true. However I've learned a lot about beginnings and how to get started from working in screenwriting and making short films. (Tweet that!)

How do we get into the Story?

One of the first short films I produced was "Air Guitar." This was actually a practice film. I was preparing to shoot the first short film I produced on my own and I wanted to run through the whole procedure once just to perform the process from start to finish — including filming, capturing sound, then the film editing. I also wanted to run through the whole process with my small film crew — camera man, sound person, actors, film editor. So one day I gathered my camera man, sound, casting and acting coach with a couple young actors and we did a run-through. I'd worked with the camera man on a short film the previous year, so we both had that experience. He would also be my film editor.

In order to have something to shoot and practice with, I wrote a one-page script. It was actually a joke I'd made up and then wrote it to play it out with actors. I opened the script in a kitchen with my actors cooking brownies for a birthday party. We set up to film in my kitchen.

Then my camera man hit me with a question: Yes, it's a story about a birthday party, but how do you want to open up the film? What's our first image? What do we show?

Until then I didn't even realized that I had never considered how to get into the story. How do we get started? (Tweet that!) How do we introduce this world we're in and our story's characters. Thankfully my camera man also had a suggestion: he did a close shot of just our hands passing out festive-colored plates and napkins. In the editing he put jazzy music under the scene. And, of course, he added the title and opening credits. That's how we got started.

Had I left it as I had it, we would have just jumped into cooking and dialog. No title. No opening credits. The audience would not have known it was a party. We would not have set the festive tone with the jazzy music. My script probably would have stumbled around with some meaningless dialog — "throat clearing" — trying to get into the story.

If you'd like to see the short film we made that day, it's here: "Air Guitar" short film

Since then I've tried to think much more about how to start my stories, articles, and books — both fiction and nonfiction — as well as each chapter. How is it best to get into them?

Establishing shots

In film, it used to be popular to show what is called an "establishing shot." I'm sure you've seen them, you just didn't know what they were called. An establishing shot is usually a camera shot showing a city skyline or the outside of a building or house — something that shows, and establishes, where we are. The tone is often also given: a storm is brewing, or a sunny day, or scary bad-guy music. But there is no dialog or anything that moves the story forward.

For the film I'm currently producing, a documentary of a true-life event, so far my best thought for opening the film is to show an establishing shot of a certain street intersection in the small city where I live. Then we'll widen the shot to show more of the city skyline and mountains beyond. I'm thinking I may even superimpose the city's name, state, and population. Of course the audience won't understand the importance of any of this information at the beginning, but it's all important and relevant. It will tell them where we are (city and state). Then through the story they will learn that this busy traffic intersection is actually where the event took place, in a city of sufficient size that it's very interesting that so many people are connected to what happened that night. This establishing shot will help me introduce and get into the story. (By the way, I also plan to come full circle and end the film here at this intersection … with one important change that has taken place since the event happened.)

Films and television shows don't use establishing shots as much as they used to. In writing, it may be good to have a character in this "establishing shot" or something that moves the story forward, but that is one way to get into the story. (Tweet that!)

Thesis Statements

In non-fiction writing, whether articles or a chapter in a book, it's good to focus the piece of writing with a focus statement or thesis statement. I wrote on this topic in a previous post so you can find more help with that here:

• Keep Your Eye on the Ball: One Sentence that Can Elevate Your Writing to New Heights

The thesis statement typically goes near the beginning of the piece and then the rest of the article or chapter supports that statement. So finding an introduction that introduces or "gets to" that thesis statement is needed, and is the path to a good beginning. (Tweet that!) However finding that path is still challenging.

"Throat Clearing" is Necessary to Find Your Beginning

You may need to do a lot of writing, allowing yourself to do a lot of "throat clearing," before you find the best path into your article, chapter, or story. That's okay. Do it. (Tweet that!) Just be sure to let it rest (days, weeks if you have the time), and then go back and edit. Let it rest. Edit. It will most likely take several rounds before you get to a great beginning.


What about you? Do you struggle with great beginnings? Do you need to do some "throat clearing" in writing before you can find your best starting place? (Tweet that!) It's not bad or wrong to write this "throat clearing." I actually think it's necessary in order to find the best starting place. We just can't leave it like that. We need to edit all the throat clearing out and find our best beginning before we turn in a project or let a prospective editor or publisher read it.

That doesn't mean we can't let anyone read it. We often need the help of another writer. A friend and fellow traveler on the writing journey, because they understand what a great beginning is. And they can spot "throat clearing" in our writing far better than we can see it in our own.

Take a look at the beginnings of your previously written stories or articles. Can you see any "throat clearing" going on? How would you now edit that beginning?

Then take a look at your work(s) in progress. Have you found the best beginning yet? Or do you need to do some "throat clearing" to find a it? (Tweet that!)

When you look at your previously written projects and your current works in progress, what lessons in beginnings can you learn?

Related Article and Link:

• Thesis statements: Keep Your Eye on the Ball: One Sentence that Can Elevate Your Writing to New Heights

• "Air Guitar" short film

The Fear of Writing

© Maxim Golubchikov
Dreamstime Stock Photos

It was one of those email newsletters from authors for authors. I had just signed up for it and got my first edition on the first of the month. I opened it. But the lead article stopped me in my tracks.

The feature article was by a well known author. I like her writing and I've even met her in person. But the title of the article screamed that I dared not write if I was "behind-the-times." If I wrote, and if I wasn't up-to-date in my understanding of how things are done today, I might as well not write or else I'll become a laughingstock!

I tried reading the article. I really tried. But the first few lines told me I was doing it all wrong. (Tweet that!)

You're Doing It All Wrong!

My punctuation. My point-of-view. All wrong.

If I'm doing that wrong, what else am I doing wrong that I don't know about? And where do I go to find out?

The idea of having to figure out how to research in order to find out all the things I'm doing wrong and learn the current "right" way to do it seemed like such a huge, mountainous learning curve. I was overwhelmed.

Then I Felt Angry

Then I felt angry. Who was this author to tell me I'm doing it all wrong? (Tweet that!) I've been writing for publication since the late 80s. It angered me to have someone telling me I don't know what I'm doing. I've fallen behind. Get out of the way and let the younger people do it right.

What about the novel I wanted to start writing? The one I've wanted to write for years. The novel of my heart. Is it going to be a waste of time? Because I'm so old-fashioned and out of date and times have changed so much that I'm doing it all wrong? Good grief. Why even start?

I don't have a chance.

I Don't Have a chance?

For heaven's sake I don't want to write the novel of my heart and then find out it has made me a laughing stock. Nobody wants to be a laughingstock, right?

Can someone please tell me where does an author go to learn the so-called "right" way of writing?

The fear of doing it all wrong stopped me. I was dead in the water. I feared writing a single word. (Tweet that!)

Never thought that would happen to me.

But I'm a Good Writer

But wait a minute. I'm a good writer. I know I am. I've been off on other adventures the past few years: screenwriting and filmmaking and all kinds of exciting things. Now that I want to come back to write one of the novels I've always wanted to write, I'm told I'll never make it because I'm "behind the times"?! (Tweet that!)

Have you ever felt like that? (I hope not.) But have you ever feared writing? (Tweet that!) Maybe you've experienced it for a different reason. Like fearing what people will think of your story. Or fearing putting yourself out there. Or fearing something else.

Fortunately I have a friend who calmed me down and offered to help. "Just write your story the way you want to," she said. "Forget all that stuff. Write it and show it to me and I'll show you how to fix whatever is needed. I'll help you."

I melted. What a relief. What a great friend.

After she talked me down off the ledge, I could see that I'm not that behind-the-times. The few things that are different from twenty years ago are easy to change. I can make the transition. I'm going to be okay!

When the Fear of Writing Strikes, What Can We Do?

Looking back on my time of fear, I can see three things that can help in our time of panic when we feel afraid to write. (Tweet that!) I hope these will help you when you need it:

1.) Find a Friend

Writing is a lonely business. Writers spend hours at a stretch alone with our stories. When we finally come up for air, we can discover others don't "get" what we're doing. Or they don't "get" our story. Or they think they have better ideas.

Critiquing is good. It's a good way to grow and learn and help each other. But we also need a friend who isn't going to rip our writing apart. We need a writing friend who can help us.

My friend and I meet regularly -- at least twice a month. (Tweet that!) We talk about what we're working on, what difficulties we're having, and what we want to accomplish before the next time we meet. We help each other. I've been helped over stumbling blocks. I've been encouraged to try big things. I've offered her ideas which I hope help her. More than anything, I'm not in this alone. Someone is there with me, struggling along beside me. And on the rare occasion when I really need it, she talks me down on off the ledge.

2.) Write it Your Way

This takes courage. It takes daring. But I dare you! Do it. Go for it. Try it. (Tweet that!)

I learned a great lesson last fall when I had a new and exciting adventure. A film crew was filming a feature movie in a town about 30 miles from me. I applied to work as an extra on the film and was hired to work two days. What a great opportunity!

The film was based on a novel titled Our Souls at Night by Kent Haruf. Of course I had to find out more about this book and how it became a movie. In my research I discovered some interesting information.

The author was actually born in the city I live in now. He lived in Colorado and wrote several novels about a fictional Colorado town.

He also wrote without quotation marks.

"No quotation marks – ever. He said he liked the way it looked on the page,” according to an interview with the author's wife in The Mountain Mail (Salida, Colorado).

His wife did his editing before it went to his publisher, Vintage / Penguin Random House. I thought that meant she would put in the quotation marks. But when I ran over to Barnes & Nobel to get the book I discovered no, she did not put in any quotation marks. Nor did the publisher. There isn't a set of quotation marks in the book.

To spoof a line from the movie Back to the Future: "Rules? Where we're going, we don't need rules!"

This is what I mean when I say "write it your way." Ditch the so-called rules.

3.) Don't Let It Stop You!

The other thing I learned when I researched Our Souls at Night is that when the author wrote the book, he was dying. (Tweet that!) Kent Haruf learned it was terminal in February. Previously it had taken him six years to write a book. But he decided to write another story. He didn't tell his publisher.

By August 1 he had a draft. By September 15th he was ready to send it to his editor at the publishing house, as a surprise. In late November the publisher sent back a surprise: a mock-up of the book so Kent could see it. He died the following day, on November 30, 2014. His wife finished the final edits the next day.

You can read more about this story in the article, "'Our Souls at Night': Interview with Cathy Haruf reveals insight into author's work," The Mountain Mail, August 31, 2016.

This author knew he was dying and yet he wrote another book. And now his book is being made into a Netflix movie, Netflix's first theatrical release, starring Robert Redford and Jane Fonda.

Now that's a writer who didn't let anything stop him.

Writing Stories: What Your Story Needs - Part 2

iStock © AlbanyPictures

Last month we talked about four things that your story needs to have to be an effective story or a story that "works." This month we're going to go further in story telling and talk about Main Characters that are not effective and how to make them work. But first...

Special Note:

Before we get to this month's topic, however, I want to tell you I've found a fantastic product for writers that has helped me so much it's incredible. I'll tell you more about it at the end of this post, or if you don't want to wait, visit the new page on this blog: click the tab above or click here: Amazing Product for Writers.


Now, let's talk about Main Characters that are not effective. (Tweet that!) Last month I mentioned "passive characters" -- characters that are victims. They have sad stories and a lot has happened to them, but they are not active in wanting something. Passive characters have no movement so they don't carry the story forward.

Another problem character is the main character who is too good. For example, what if your main character has already "arrived," meaning he or she seems to already "know it all."  (Tweet that!)

One example of a character who has already "arrived" is the character many Christian writers want to put in their stories. That is, the Christian character who is already "saved." This character wants to share what they have and show the rest of the world that they need to be saved too. This is a formula for a preachy, overbearing story. (Tweet that!)

What do you need to do with these problem character to save your story?

Back Up Your Main Character

For know-it-all characters who have already "arrived," and for passive characters, you need to back that character up to a place or point in time before s/he knew that information, before s/he learned it, before s/he "arrived." (Tweet that!)

Then, let your character coming to that knowledge be part of the story. (Tweet that!) Showing your character acquiring this knowledge also allows you to show that growth in the character. When your audience sees that character learn it, they will also learn it and you will achieve the "theme" or "message" of your story (see previous post) without coming off as preachy.

Including this part of your character's story will also help you flesh out the middle part or Act 2 of your story, which is often a problem area. Some call it a middle that "sags."

How to Back Your Main Character Up

Just how do you back a character up like this? How can you use this to help improve your story and your character? What do you do with them?

Here are four ideas. This is not necessarily a "pick one" list. It may be best to do all of these!

As an example, I'm using one of my recent stories. It's a story about forgiveness. My main character could not move forward and do what she needed to do until she forgave a certain person in her life. But how does she come to that knowledge?

First, I gave her some common (but wrong) ideas about forgiveness, including these thoughts:

•  "That can never be forgiven." 
• And "Somethings are unforgiveable."

Then, I used these four ways to help her discover more about forgiveness:

1.) The Character Has a Need for It or Needs to Know It

I gave my character something huge in her past that she needs to be forgiven for, although she doesn't know that is even possible.

2.)  Another Character Models It

Then, my main character witnesses another character in the story forgiving someone else (not the main character). In seeing this modeled, the main character becomes aware that some people are willing to forgive, even though a big part of her distrusts that it's for real.

3.) The Character Experiences It for Her/Himself

Then, my main character experiences being forgiven. She is forgiven by someone other than the character in #2 above.

Had she not seen that other character (in #2 above) forgive someone else, she would not have known or believed it were possible. But because she witnessed it, the closed door in her heart opened just a crack and so when she herself is forgiven, though it is "unbelievable" (according to her former self), she believes it (this is her new, changed self).

4.) S/He Wants To Do That Herself

Because she has experienced forgiveness for that huge secret in her past, she now not only believes forgiveness -- and forgiving -- is possible, but has also experienced the unbelievable feeling of freedom from that burden. This has opened in her a freedom to love and so much more. She now knows it as only someone with first-hand experience possibly can.

With this new-found knowledge and experience, she now knows what she must do -- and she is determined to do it.

In 3-Act structure, this point is the end of Act 2 and the beginning of Act 3. This is the point where she moves forward to the climax of the story, where she puts everything on the line and everything is at stake. She will either gain everything or lose everything. But either way, she moves forward to the climax of the story and there's no looking back, no going back.


All of these different learning experiences become subplots utilizing your secondary characters to carry them out. This, then, fleshes out your story and gives strong support to the middle of your story.

If you're having trouble with your story, I suggest you take a look at your main character. Make sure that their learning and changing is ahead of them, not behind them. Back them up if you need to. Then use the four ideas above to find a way for them to learn what they need to know. You audience will learn with them. Then you can move ahead with your story!

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My Christmas book on sale this month:

I have a limited quantity of my popular Christmas book still available. This book makes a great Christmas study and a great gift. If you'd like one, please order through Amazon's "See All Buying Options" and choose "Connect Books":

Prophecies Fulfilled in the Birth of Jesus
by
Dianne E. Butts
Please order from Connect Books.

(Tweet this please!)

Also available, e-books for Writers:

Cutting the Passive Voice

How to Get Published

Book Signings

Related Article:

• Writing Stories: What Your Story Needs - Part 1

How to Get Unstuck When You're Stalled In Your Writing (Beating "Writer's Block")

iStock © alvarez

This month I'm wondering who needs this article. (Maybe it's you. Maybe it's me!) Have you ever been stuck or stalled in your writing? Have you ever experienced "writer's block"? Here are some thoughts to help.

This is a rerun from my former newsletter from August 2010. It's a timeless topic and I know there's help here for someone who needs it. Maybe that will be you, if not now...then perhaps another time soon.

Getting Unstuck When You're Stalled

I had conversations with two different writers recently. Both talked about being stalled or blocked on big projects. We talked a little about why this might happen and what we can do about it when it does. (Tweet that!)

One fellow, when he learned I was a writer, asked me, "How do you get past writer's block?" (Tweet that!) He has a large project in mind and he's looking for help in getting it done.

As I tried to talk with this writer, he did a lot of talking and very little listening. He lamented that he couldn't get anything done. He was frustrated that he couldn’t get anyone interested in his project.

I asked him what he had written so far. He didn't answer, but went on about how the people in charge who should want his project wouldn't get on board with him. Hmmm. I began to wonder if this fellow has ever actually written anything.

What is Writer's Block?

Sometimes I think would-be writers try to write, find it extremely difficult, and conclude they have writer's block.

I’ll make a confession here that I've never made out loud before because I have the impression it could possibly be quite controversial. Here it is: I don’t know what writer's block is. (Tweet that!)

There. I said it.

Years ago I remember reading an article in a popular writer’s magazine where the author stated he didn't think writer's block existed. Oh what an uproar ensued! I was stunned such a statement would elicit such a strong, negative response! I'm still not sure I understand why. I just know a lot of writers were offended.

I've heard writers say when they are blocked they "can't" write. Okay, maybe so. I've never experienced that so I won't claim to understand it.

What I have experienced is that writing, for me, is really, really hard. (Tweet that!) It's work. It never comes easy.

I've heard some writers say their words flow so easily onto paper. Well, lucky them, I guess. For me, it's hard, physical labor to get my ideas out of my head and onto paper. I can say that I've had enough practice now that it's easier. I now understand my own process I must go through to get it done. But it's never easy.

Writing is clear thinking.

If you can't think a thought or idea clearly, then you can't nail it down on paper. (Tweet that!) Getting to the point of being able to clearly state what you're thinking is hard work. (Tweet that!)

I have to wonder if that writer who told me he was blocked really was blocked. Or did he discover how difficult it is to write and conclude something else was wrong?

What to do about it.

Recognize writing is hard.

If you're blocked or feeling stuck, the first thing to do, I think, is to recognize writing is very difficult. If it wasn't, everybody would be doing this. (Tweet that!)

Clarify what you want to say.

The next thing I would suggest is to clarify what it is you want to say. Remember that exercise we're told to do? Say it in one sentence.

Whether it's a book, an article, or a short story, say it in one sentence. If you can't, it's not clear enough yet in your own mind to nail it down on paper. (Tweet that!)

It will take time and effort and a hundred (or a thousand) failed tries before you're able to say it in one sentence. (Tweet that!) That's just the way it is. But once you start getting close, you'll sense it. And once you nail it, you'll know it. So don't quit prematurely.

Say it in one sentence. Just do it. Now.

[For help writing this one sentence, visit the December 2014 post, "Keep Your Eye on the Ball: One Sentence that Can Elevate Your Writing to New Heights."]

Some suggestions...

The second writer I talked with I know to be an accomplished writer. She said she was burned out. Boy do I understand that. She works a lot on other people's projects and really wants to work more on her own, but she's not getting going on those.

I asked her, "What's your passion?" She thought for a moment before she told me about a project she has wanted to write for years. But it's too big, she said. She doesn't know where to start.

We talked about some things she could do. Here are some of my suggestions:

• Break it down.

Figure out what you need to do. Make a list. List the items that would need to be done to accomplish (or even start) this project.

• Make a plan.

• Work the plan.

• Do what you can.

By the time you get to some of the things that can’t be done, you will have found the help you need or a way to do it. Start with doing what you can. The rest will work out.

Remember your passion.

And whenever you’re feeling burned out, stalled, or stuck. I suggest this:

• Return to your passion.

I think as writers we're asked to do more and more to please publishers, all with lower and lower pay. Or no pay. We're expected to start a blog, be a public speaker, market online, attend conferences, write on spec, take assignments… No wonder we’re feeling burned out, overwhelmed, and stalled.

But I fear that's a topic for another article. For now, ponder these questions:

• Why did you start writing? Or why do you want to write?

• What is your passion? What topics, projects, or type of writing are you passionate about?

• Are you working on what you're passionate about, or have other projects taken over and crowded out what you really want to be writing?

• How can you take steps to return to what you wanted to write when you started, to those projects you're passionate about?

There you have it. Get reconnected to your writing passion and takes steps to get back to that. I really believe when you do, you'll get unstuck.

* * *

I hope this rerun article has helped you get unstuck if you're stalled in your writing. If you're experiencing writers' block, I hope you've found some help here to beat writer's block.

If you would like more help with your writing, check out my ebooks for writers here:

• How to Get Published by Magazines & Book Publishers
• Cutting the Passive Voice -- Only $ .99!
• Have a print book out? You need Book Signings!

By the time we meet here again next month, I'll hope you're well on your way in writing your passion and your dream project! God bless you and your writing.

Writing from Your Core Message - How to Create Fantastic Fiction or Nonfiction that Reaches the Heart of Your Audience

I recently wrote a "new" story that is getting some great attention. I put "new" in quotations because in reality the story isn't a new one for me in the sense that I've been developing this story for around ten years. But I only recently wrote it. When I did actually write it, I've been pleased with the positive attention it has been getting. By that I mean the kind of attention that may result in bringing it to a large audience. But I wanted to stop to evaluate why this story is getting this attention. Obviously I'd like to repeat the experience and create another story or two (or ten) that get positive attention. (Tweetable) So why do I think this story is receiving such attention? I'm so sure in my gut this is the answer: Because this story comes from the core of my being, the core of what I know to be true. In other words, this story required me to write from my core message.

There are stories that are created just for the sake of telling a story, to entertain. But a story from your core message goes deeper.  (Tweetable)

Defining What I Mean by "Core Message"

I so remember where and when this idea became solid for me. The idea of it floated in the back of my mind, and I think that's true for every writer. But it was when I attended the Act One Writing for Film & Television Program* in 2010 that co-founder Barbara Nicolosi put it into words. She not only presented the idea to us but also challenged us to create a story from our core truth -- a credo from our life -- and present that story to the class before we left that program.

Act One trains Christians for write for film and TV
in order to influence film and television
for Jesus Christ.

Barbara called it our "Credo story." I'm calling it a "core message." You may have another name for it. I can't remember much more about how Barbara explained this, so from here on this idea is filtered through my own thoughts and understanding.

But I do remember that I knew immediately what mine would be because I had the "credo" or core message in my heart. I already knew it. I was working to build a story to express it. I just was still learning how to structure a story to work out expressing it.

What Barbara called a "credo" I'm calling a "core message." It is a deep truth from your life that you know in the depths of your heart to be true. (Tweetable) I'd say it's most likely something you've learned through the hard knocks in life. It didn't come easy. (If it did, it's more a cliche everybody already knows.)

Mine was a lesson I learned, a truth that came from hard places and tragedies in my life. I lived it. I learned from it. I grew from it. And I found a truth that helped me when I lived it. That truth has become part of my core being. And I believe that our core messages can help others in the same way they help us -- if we'll share them.

Our core messages may be hard to share because they are so deeply personal. They are hard-fought and hard-won. But they are truths of life. (Tweetable) And that means they apply to others, not just to us.

Core messages are also positive in nature. At least I demand mine to be, because there's no sense in taking an audience to a negative place and leaving them there. If a core message is negative, then you haven't lived through to the positive outcome yet and it's too soon to try to share the message. (Tweetable)

So the question is, how do you come to your core message?

*If you apply to attend Act One, please note on your application that you heard it from me, Dianne E. Butts. Act One would want to know. Thank you for remember me when you contact them.

How to Discover Your Core Message

You may know yours immediately. You may already have lived it and discovered it and stated it in words that you know and remember in your heart. Now is the time to write it down.

If you aren't to the place where you can write it down, then I'll warn you it may be harder than you think. (Tweetable) But you can:

• Brainstorm. Collect words that express your core message. Work until you can form a sentence. Don't stop there, but massage and tweak the message until you know that you know that you know it is hitting the target exactly. 

• Mind Map it. Use a large piece of newsprint. Write your collected words you brainstormed on it and then group other ideas around each word. The purpose is to get to the point where you can articulate your core message in a sentence.

• Articulate it. Write it down. Make it a statement. A Credo statement. This is much like writing a Thesis Statement which I wrote about in my December 2014 article. A Thesis Statement is any core message (even an assigned message) you want to express in an article or story. A Core Message statement is a truth or deeply held belief from your own life.

• Give yourself permission to own more than one Core Message. (Tweetable) I find if I limit myself to the core message, or one core message, I then have this battle raging about which one is most important. As if I only get one! No, you can have more than one. Just pick one for each story. Articulate it. Write about it, whether in fictional story or in nonfiction memoir or other. To write another story, pick another core message.

Develop Your Core Message Into a Story

Whether you're writing fiction or nonfiction, short pieces or long, you can develop a meaningful piece of writing out of your Core Message. (Tweetable) Please understand when I use the word "story" here, it could mean either fiction or nonfiction.

For mine, I wanted to express my "Credo Story" in a long story, meaning a novel, a feature-length screenplay, or both.

So I wanted to build a fictional story around my Core Message to express that message. This is where learning about story structure really helped me. In order to build your story around your core message, think about these points:

• Create a story that expresses all sides of the issue involved. (Tweetable) Doing so allows you to show what happens when life is lived in contradiction to your core truth.

• Develop story lines that look at the issue from all sides. This gives your story conflict in different views.

• Use these different views to create "B stories," which are subplots.

In my opinion, as writers we don't just write a story. We have to build a story. We build brick upon brick. We journey through life step after step. We build or develop a story in the same way. (Tweetable)

• Let it percolate. Let your story cook long enough to be fully cooked. You can't rush this anymore than you can rush growing up. You can only "rush" the expression of it by forcing yourself to do the hard part of articulating a fully-cooked core truth. If you never sit down to do this hard work of putting it into words, it can cook forever and you still won't have your core message in a concrete form. It will be there, but it will be in the mush that's cooking.

Tips for Developing Your Core Message Story

Along the way of my own writing journey, I've picked up some tips I've learned from mentors. Let me share some with you:

• Don't be afraid to say it out loud in your story. I've often heard or been taught in workshops or writing articles that we should not start with a message. I think that's nonsense. (Tweetable) If we want our writing to be meaningful where else would we start? (For contrast, I've heard over and over in workshops and such we should start with an interesting character. Fewer teachers allow us to start with an interesting plot.) I say, start with something you really want to say. A core message.

• Don't be so subtle no one "gets it." Again, we are told to keep it subtle, but from what I've seen subtlety often means the message is either missed or misunderstood. (Tweetable) I'd rather we simply state our message outright. Done well, it works.

• Don't be preachy. The above cautions are so we don't come off as "preachy." Of course we don't want to be preachy. That turns off an audience. I'm sure you can figure out for yourself what preachy is. You already know not to do that. Sometimes we have to start preachy and then work through it to find a way to work out of it while leaving the message. It can be done. Take careful steps to make sure your final product is not preachy. (Some will call you preachy even when you're not.)

• Let a character state your core message at the beginning.  Besides Act One, I've attended many other screenwriting and story-building workshops. I remember in a screenwriting class taught by Dr. Ted Baehr that he encouraged us to go ahead and state the theme (I consider that our core message) outright and up front. That is the direct opposite of what I've been taught elsewhere, but I agree with this! Ted taught that in movies, a character (often not the main character) states the theme of the movie or story in the beginning of the story. (Tweetable) I'd never notices that. But when I did, I then saw that the story develops and "lives out" that theme, and at the end we come back around to that core message, which is now a "truth." Watch for this the next time you watch a well-written movie.

• Don't be afraid to have an agenda. Again, this is from Ted Baehr. Again, this is the opposite of what we usual are taught. However I remember him encouraging Christian writers to go ahead and have an agenda. He reminded us that everyone else in Hollywood has an agenda! Christians can too. (Tweetable) Others are not afraid to let their agenda be known. Christians can too. So go ahead and have an agenda...and let it be known in your story. This is not wrong. This is, instead, freeing.

Core Messages Reach the Heart of Your Audience

I believe writing from my core message produced a story that is reaching hearts on a deep level, and that is why it is gaining positive attention from people of influence. (Tweetable) There are stories that are written solely to entertain. But stories from our core, from the deepest part of our heart, that speak the deep truths we've learned from the hardest places in our lives, hold truth and meaning that connects with other people in a way that is far beyond just entertainment.

Stories from our Core not only reach hearts and minds, they change hearts and minds. While an audience may not be able to understand why some stories stick with them, hold onto them, and will not let them go, it is because that story is burrowing deep into their souls. (Tweetable) That causes change. That is what story, in its true purpose, is for.

That's the kind of story I want to write. Again and again.

Please Note...

• New E-Book! Check out my newest e-book coming soon. If you have a book out, or plan to, you'll want to find ways to let people know your book exists. One great way to do that is to hold a book signing at a book store. That can be intimidating...until you do a few. In this new e-book I share what I've learned, what I've done right and wrong, and how to make a book signing work for you.

Releasing soon. Pre-Order yours now here:

Book Signings: 

How to Set Up Your In-Store Author Event and 

What do Do While Your're There!

• Colorado Christian Writer's Conference. It's coming soon! May 13 - 16. Sign up now!

Gleaning New Writing Projects from What You've Planted and Harvested in the Past

Gleanings!

This month "Gleanings" is on my mind. There's a reason for that.

On my other blog I've been studying and writing about the "Shemitah." I'm currently reading a nonfiction book about it titled The Mystery of the Shemitah by Jonathan Cahn.

I know what you're thinking: "What the heck is the Shemitah?!"

I'm so glad you ask. The Shemitah is a year-event and also a day-event. The Shemitah is the 7th year in a 7-year cycle on the Jewish/Hebrew calendar. And for those Jewish people following the Old Testament regulations, they let the land rest through the 7th year or the Shemitah year. Just as in the weekly calendar God instructed one day of rest per 7-day week, in the same pattern He instructed them to let the land rest through the seventh year in a 7-year "week" of years, Of course this also meant the people would rest through that year because they did not work the land. But they still had to eat, right?

What do they eat? Whatever grew. On its own. The gleanings.

They still had to do some work because they had to go out and gather the gleanings, but they do not work the land and all the land belongs to all the people to glean wherever they want to.

The whole Shemitah is really an exercise in faith. The Jewish people had to believe that God would provide for them during that year...and the next until they planted and another harvest came in.

The last day of the Shemitah year is also an event. At the end of this day, all the debts are forgiven. It's a national financial re-set. Whoever owes money is set free from that debt. And whoever is owed money releases it. It's an object lesson of how the Lord God releases the sin-debt of those who trust in Him and He gives us rest. The word shemitah translated means "the Lord's release."

Did you know we are currently living in a Shemitah year? As a matter of fact, because the Jewish calendar begins in the fall of the year (last September) we are almost half way through the Shemitah year, which will end Sunday, September 13, 2015. The exact mid-point of this Shemitah year is March 20th, so it seems appropriate to talk about the Shemitah and gleanings this month. (Plus, I only just now thought about applying this to my writing.)

Gleanings for Writers

Okay, I know what you're thinking: "Enough with the Bible lesson. What does that have to do with us as writers?"

My study of the Shemitah caused "gleanings" to be on my mind. Suddenly I realized I already am gleaning in my writing. (Tweet that!) But it also gave me an awesome idea to glean another project from my past writing. (Tweet that!) Let me explain, and then we'll toss around some ideas for how you might glean new writing projects from what you've already planted and harvested in the past. (Tweet that!)

Turn Gleanings into E-Books

How to Get Published

When I thought about gleaning in my writing, I realized I already am gleaning with my series of "Getting Published" e-books I'm releasing. You've already seen two of my titles that have released.

Glean from a Pamphlet

The first e-book I made, "How to Get Published," was gleaned from a pamphlet I wrote back in 2003, printed on 11 x 17 paper, folded as multi-page pamphlets, and sold at writers conferences. I  took the same information, updated it, and released it as a Kindle book last year. It continues to sell well on Kindle.

only $.99
Cutting the Passive Voice

Glean from an Article

The second e-book, "Cutting the Passive Voice," came out a few months ago. The information for this little Kindle book was gleaned from an article I wrote back in the '90s. It was published a few times in small Christian writer's magazines. It's still good and helpful information and I wanted to share it with more writers and make it available to a much larger audience. I still owned all the rights to it, so I renewed and refreshed it, added a little more information, and formatted it into a Kindle book. It's been selling quite well since its release, which is exciting and encourages me to do more.

Glean from a Workshop You Teach

You may remember I ask through a survey which e-book you'd like me to create next and I gave three options. Here are the results so far:

• Ten Tools for Marketing Your Book - 83% of votes
• The Shape of Story: How to Shape your Novel's Story to Make a Great Screenplay - 17% of votes
• Query Letters: How to Write the Query (and Cover) Letter You Dread to Magazine Editors and Book Publishers - 8% of votes

You can vote for more than one which is why they add up to more than 100%.

For the first two I will glean material from workshops I teach on those topics. The project on Query Letters I will glean from another pamphlet I wrote back in 2003.

Book Signings
Pre-Order now!

Glean from a Blog

While I waited for the survey results to come it, I've been working on another e-book. Book Signings: How to Set Up Your In-Store Author Event and What to Do While You're There! contains a ton of information I gleaned from three different posts on this blog.

While the material is already available for free here on the blog, I feel there's value in gathering it all together into one product for easy access instead of the reader having to hop around searching on this blog. Besides, I'm sure there are a lot of readers who don't even realize this information is available here so they don't know to go searching for it. Plus, readers can keep the e-book handy on their e-reader for easy reference when needed. Furthermore, I believe the e-book will reach a whole new audience of authors who can use the information but who don't even know about this blog. Therefore it may even bring new readers to the blog.

This e-book isn't completely ready to go at this date, but it is available for pre-order right now. That means you can order it and you will receive it as soon as it releases.

What has me especially excited right now is that while I was thinking about the Shemitah, and while I suddenly thought to apply "gleanings" to my writing, I realized I have a TON of information on my other blog about the Shemitah, the current tetrad of lunar eclipses (being called the "Blood Moons"), the 7 Feasts of the Lord on which these eclipses are falling, the solar eclipse on March 20 at the mid-point of the Shemitah year, and so much more along with the spiritual and prophetic meaning of it all. Again, all this information is spattered through many posts over the past year on my Bible Prophecies Fulfilled blog. So why not gather all of that information into an e-book?!

Again, this is a ton of writing and research I have already completed. I can organize all this information for easy reading in one place so readers can find it easily and keep it on their e-reader for easy access. I can reach a whole new audience. This will give me another income stream. And I can bring readers to my blog who don't know about it right now. Why didn't I think of this e-book before?! You can bet I'll be at work on it to get it out as soon as I can.

What Do You Have to Glean?

So the question for you is, what material do you have that's already written that you could re-purpose into a Kindle e-book and share with the world? (Tweet that!) And it doesn't have to be material that has already been published. What about that project of your heart that never got published? You can make your material available on platforms other than Kindle through Smashwords.com. I learned how to format for Kindle by printing out their instructions. It's not that hard. In fact, I put those printed instructions in page-protectors and in a small notebook and I refer to them and walk through them step by step whenever I'm making a new Kindle book.

Turn Gleanings into Videos

If you follow my other blog, you saw in my December posts that I created videos for my posts for the Christmas Advent season.

What material can you glean that you can turn into videos? You can take your writing material and tell it to your laptop's camera, edit it on YouTube.com, and upload it to YouTube. Then you can share that video on your blog, your web site, on Facebook, and probably other places I haven't thought of.

When you say it in video, you reach an entirely new audience. Many people don't want to read. They want to see and hear. So glean material from your books, articles, blogs, and more and make a video. Even if you're only reading your article or a section of a book!

I've been asked to make some of my Bible Prophecy Fulfilled blog posts into videos by just reading them. I haven't got that far yet but I'd like to. That way busy people can hear me read my own blog posts while they are busily doing something else.

It works. It's a whole new audience. What material do you have that would make a great video or series of short videos?

Turn Gleanings into Articles

Perhaps all writers have an abundance of material we've gathered and researched for writing projects. What work have you already done that you can glean articles from?

Or, can you take some material you've put into articles and create other material from it, such as an e-book or series of blog posts?

Can you take your fiction and make it into a series of short stories for your blog or a series of short e-books? (Tweet that!)

Turn Gleanings into Books and More

We've talked about gleaning material you've written and creating e-books. But what about print books? Do you have an abundance of material you can gather together and have enough for a print book? (Tweet that!)

You could add more material, if you want. Update it. Freshen it.

What can you add? Maybe add an appendix, list, or chart. For my new Book Signings e-book I added a list I use when preparing for an in-a-bookstore book signing. That list is material that I haven't published before. It's not on this blog. So it's added value to the e-book.

For the e-book on the Blood Moons and all that related information, I think I'll add a Leader's Guide to the back of the book. That will be new material I will need to create, but it will help readers share the incredibly important information in the book. It will make it easier to lead a discussion with a group of interested people.

Maybe you can glean from stories you've written and use them to create a screenplay or take your nonfiction and make a documentary. The ideas truly are endless.

Renew and Release

Take a fresh look at the material you've already produced. Take a special look at the unpublished material you've created that has never found a home to be published in. Review it. Glean from it. Renew and refresh it. Reuse it. Re-purpose it. Then release it to accomplish that purpose for which it was created.

May your gleanings of new writing projects from what you've already planted and harvested in the past provide you with an abundant blessing of new products, new readers benefiting from your work, and new income streams!

What Does Your Audience Need to Hear from You?

Morguefile.com

Some of you may know that this blog used to be a private e-magazine that was delivered to subscribers only. I made the decision to convert my private e-list to an open, public blog back in June of 2012. But I've often thought about some of the articles I wrote for my e-zine subscribers. The messages of those articles are still valid; their information still useful. And so I've been thinking I would like "rerun" some of those articles.

Okay, since we're talking about publishing the proper term is probably "reprint," but I like reruns on TV so why not here? 

I'm thinking in coming months I'm going to rerun some of those old articles, my "Best Of," because I believe they will benefit many people all over again.

If you've been with me since the days of the e-zine, you may remember some of the topics I'm going to rerun, but I'm thinking you most likely don't remember the details. It's been long enough since they ran that I believe you'll enjoy reading them again.

Of course if you've only come on board since the conversion to this blog, these reruns will be new to you so I hope you enjoy them and benefit from them.

While the events and dates in some of these articles maybe several years ago, the core message is timeless. So I sincerely hope you enjoy these re-run articles.

ReRun from the October 2010 Dianne E. Butts About Writing E-zine:

What Does Your Audience Need to Hear from You?

In the last two and a half weeks I've attended two funerals and a banquet. The first funeral was for a wonderful Christian man, co-owner with his wife of an awesome Christian bookstore. I have attended more than one International Christian Retail Show (ICRS) with these two. He died suddenly of a heart problem, the only warning sign: a similar episode two years ago. Then a week later to the day, I attended the second funeral for a lovely woman, full of Christian faith, the mother of a friend I ride motorcycles with in the Christian Motorcyclists Association. She had struggled with cancer for the past two years, since shortly after her husband passed away. For both of these funerals, the churches were full.

My husband and I attended a banquet and other festivities last weekend celebrating the 75th Anniversary of the Colorado State Patrol. In its inception in 1935, Colorado State Troopers worked 6-day weeks, 9 hours a day. With no radios, they had systems for someone to leave a light on with a note to signal patrolmen if there was a call they needed to attend to. We've come a long way! (If you don't already know it, my husband has served with the Colorado State Patrol for more than 28 years--not quite since 1935.) About 600 attended the banquet.

At all three of these events, I kept having the same thoughts: There are people in this room who would be helped by what I have to offer. I know things that would help them if they knew them, too. I wish they could hear what I have to say. I wish I knew how to reach them with the information I have. (Tweet that!)

Do you write for the message or the joy?

I've often wondered, are there writers who are writers simply because they love to write? I've heard some writers express that: They wanted to write since they were a small child. They've always wanted to be published. They simply wish to share with others what they have written with joy. 

But there's something in that I wonder about. I guess in my brain it just doesn't compute. Doesn't every writer have a "message" they want to convey, or a "mission" they want to accomplish? (Tweet that!)

Maybe not. Maybe some write just for the love of writing. Perhaps these writers produce for the sole purpose of entertaining. But for me, I can't write without a message in mind. If I don't have a message that's important, and that's meaningful to somebody else besides me, then I don't see the purpose in writing. Maybe that's just me. I don't know. What do you think? (Tweet that!)

If you write simply for the joy of writing, perhaps you can straighten me out. And I surely don't want to leave you out of the conversation. But for writers with a message, don't we have a burning in our soul to express it, to share it? I think this is especially true for the Christian writer. (Tweet that!)  I'm sure there are an infinite number of passionate messages to be conveyed, but for the Christian who believes Jesus is the only way to heaven, we are almost desperate to share the how and why of that.

People would be helped by what I know and need to hear what I have to say.

At that first funeral I was surprised to learn that many people in the family of that Christian bookstore owner are not Christians. Imagine, owning a large bookstore filled with nothing but the message of Jesus Christ and having your family not knowing, accepting, or embracing that message! I know Jesus Christ. And I know that He is the only way to heaven. There were people in church at his funeral who would be helped by what I know, who need to hear what I have to say.

At the second funeral, the family spoke of their own deep Christian faith that they had largely because of the influence of this mother and grandmother. But there were also many people from the community that helped fill that church, and I'm sure many of them do not know Jesus. There were people in that church who would be helped by what I know, who need to hear what I have to say.

At the banquet, the Chief Chaplain gave an invocation in Jesus' name, and one of the three Chiefs of the Colorado State Patrol who spoke (two of them former, retired) spoke of his Christian faith. I know there were many in that room, perhaps hundreds, who do not know Jesus and would be helped by what I know, who need to hear what I have to say.

Reigniting the passion to write.

Attending these three event reignited my passion not only for writing, but for reaching the people who will be helped by what I know. Through writing I can reach people I could never reach in person. I can meet them in the privacy of their homes and lives, and we can talk. We can have a conversation about the things I know that would help them, the things I have to say that they need to hear. We can talk about Jesus and why I believe. We can talk about where He is in the hard times, and why He seems so silent. I can tell them how I know beyond doubt that He is there and He is real. I can tell them that He knows their names and He loves them, that He cares about what they're going through and that He will help them through it if they'll let Him.

I don't care if you're writing the latest, greatest edition of Christian apologetics or a romance novel. Don't you have a message? Even in a romance, isn't it a message of hope? That we can find love? Maybe you're writing a magazine article that will help someone eat better to live healthier. Or a humor column that will inspire or reach someone with a reason to smile on a bad day. It's all important. So I'm back to my question: Is there ever a writer who doesn't have a message he or she is passionate to convey? Maybe, but I'm hard-pressed to think of one. (Tweet that!)

Questions to ponder.

So as you write this month, and the rest of this year, here are some questions you might ponder:

• What is the message that I really want to convey?* Or what message is at the root of all that I write?*

• Who are the people who need to know or to hear my message? Look for them in real life, wherever you go where other people are around. Also, think of those whom you will never see or meet but who might read what you write.

• What do I know that they need to know?* What have I learned, or what information do I have, that would help them?

• How can I reach them? What can I write that might get to some of them with the help, knowledge, or encouragement that they need and that I have to offer?

All of this is summed up in the questions, "What does your audience need to hear from you?"

*This root message that you're passionate about sharing and that comes through in everything you write about is your "brand." Put it into words if you can. Or for the rest of this year, work on putting it into words. When you have it nailed down, print it in large font and pin it up on your wall. (It can be subject to editing.)

The group of people you see and imagine who need to hear what you have to say, or who need to know what you know, this is your audience. Write for them. Reach out to them. Work to reach them with your words. You will make a difference in their lives. (Tweet that!)  And isn't that really why we write?

~ * * * ~

I hope you enjoyed that rerun from 2010. I've recently started a new private e-mailing list, but this one is about my person news, including what I'm writing, which of my products are going on sale, where I'll be appearing or teaching...that sort of thing. So if you're interested in hearing about these things, please sign up for my new e-mailing list using the box at the top on the right. Thanks!

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If nothing else, there is a signup form that is always visible on my other blog. Look for it in the upper right-hand corner of Bible Prophecies Fulfilled. Yes, this is the same e-newsletter. Thanks for your perseverance. That's a sign of a real writer.